MARYLAND MD

[fve]http://www.bsomusic.org/res/test_res/multimedia/marin_pr2.mov[/fve]

[fve]http://www.youtube.com/watch?v=a44ik7jZIaw&playnext=1&list=PL36D2D34061714A48&feature=results_video[/fve]

[fve]http://www.youtube.com/watch?v=pk00Gf0i3Io&playnext=1&list=PL227DDC0E472E518E&feature=results_main[/fve]

[fve]http://www.youtube.com/watch?v=spW7vHI15Yo&feature=autoplay&list=PL227DDC0E472E518E&playnext=2[/fve]

Maryland MD BSO Sets the Stage for Learning

In Baltimore Maryland, beginning in 2007, BSO Music Director Marin Alsop said I’m pleased that the Baltimore Symphony agrees with my philosophy on mentoring and we’re proud to announce a brand a new conducting initiative. We’re collaborating with Peabody Conservatory and the League of American Orchestras in creating a brand new position for a talented young conductor. It’ll be a two year program where the young conductor will conduct the Baltimore Symphony, attend Peabody Conservatory and get real hands on experience. We’ve already selected the first recipient of the award, Joe Young, and so…you’ll see him around the concert hall and you’ll probably even see him on the podium now and then

I want to enable people to feel really connected to composers. That’s one of the reasons I’ve invited so many living composers here, we’re going to speak to them. We have a series called composers in conversation which will be on Wednesday evening and also I want people to feel connected to Beethoven. So I’m really obsessed with these forensic shows, I don’t know if anybody else is. I decided the best way to get to know Beethoven would be to do a forensic autopsy on him and so I’ve invited scientists from Johns Hopkins to join me and we’re going to sort of dissect him, I hate to say that, but dissect Beethoven in front of the audience for two evenings. We’ll have the whole orchestra there, We’re going to play his music, we’re going to analyze what elements lead to his hearing loss, what kind of mental state and just generally what conditions lead to his greatness

Part of my vision is to try to take advantage of all the new technologies we have available to us. Fortunately we’ve already embarked on a brand new recording initiative making records for Naxos and for Sony records. We’re starting a series of pod casts for iTunes and we’re also featured on XM radio

[fve]http://www.bsomusic.org/res/test_res/multimedia/marin_pr1.mov[/fve]

Marin Alsop on conducting

I’ve always wanted to be a conductor, I’ve wanted to be a conductor since I was nine years old, and, my mother and father are both professional musicians. I had to be a musician there was really no choice about that but when my father took me to see Lenard Bernstein conduct the New York Philharmonic when I was I guess nine years old. As soon a I saw him I thought, oh – this is what I want to do, so I never changed my mind from then and I fell in love with him, I fell in love with the idea of conducting. It was a dream I harbored for all those years and it took a while to figure out how to be a conductor actually

And you know as a violin you play one line you know and I mean and it’s really critical but it’s just one line contributing to music that has, you know-one hundred things going on at once and I think for me the idea of being responsible for the architecture, you know-the whole experience the emotional journey the quality of sound the vision the piecing and everything, thats what appealed to me always and I think I was always one of those kids, even if I was bad at a sport was always the captain of the team and I think this idea of galvanizing people and hopefully inspiring them to come together and do their best as a team was something that always appealed to me and thats really what conducting is all about. I think that it’s really important that we feature along side very established well known artists, young talented emerging artists because of course, like with the composers that I’m featuring this year, they were once aspiring composers. Now they’re really the leading composers of the day and the artists that we feature will also be the leading artists of tomorrow and it’s nice I think for our audience and for our musicians to sort of get in on the ground floor as their elevator is rising so to speak

This is definitely the highlight of my career so far having a wonderful time with the musicians of the Baltimore Symphony, we’re going to create something brand new some kind of excitement. We’re trying to bring classical music to everybody, bring it back to where it used to be where it was part of everybody’s lives..it was accessible, it was fun, it was interesting, engaging and we feel that we’re just part of the community, we’re owned by the greater Baltimore community and so we want to be available to everybody so people can access the symphony to what ever degree they want

for more information or how to support the Maryland MD Baltimore Symphony Orchestra please visit

www.bsomusic.org

www.bsokids.com









Reloaded Twaddle

Bob Woodward: Oath Keepers convictions puts new pressure on DOJ to indict Trump

rawstory.com/donald-trump-o…

About 3 days ago










84B74457-6D55-455D-933C-2E8BE822DDD2Yuja@masterpiano – Reloaded twaddle RT @Tiffanypianist: Helping to build a grand piano last week at @steinwayandsons Hamburg factory 😄 Thank you for the fun memories!… https://t.co/DLtpKzGk19@masterpiano – Reloaded twaddle RT @Tiffanypianist: 🤗 https://t.co/KkLgEmOeVWbF49izdWN-iIS781@AliceSaraOttE26000E9-36E1-4310-ACB0-6D81E8225BD6Bruce Springsteen is an Aristotle of our times, with his focus on virtue, friendship and community scroll.in/article/937312…3F1CE83E-0369-418B-AA12-D2A62D114B9DD8YIXxpXUAEZj4u@masterpiano – Reloaded twaddle  RT @SteinwayAndSons: Virtuoso Steinway Artist @YujaWang performs Sergei Prokofiev’s Piano Sonata No. 8 in B-flat Major, Op. 84, 3: Vivac… https://t.co/uYC645gp7q

RT Reloaded Twaddle

Breaking News: Christine McVie of Fleetwood Mac is dead at 79. The singer-songwriter was a hitmaker for one of music’s most popular bands. https://nyti.ms/3H2V3Td

Irene Cara, you inspired me more than you could ever know. Your songwriting and vocals created pure energy that will never cease. You also defined an era that is so close to my heart.

📰 Cate Blanchett is the new cover star for the Dec/Jan issue of @pianistmagazine! In her interview she discusses her new role as a powerful but fragile conductor – and pianist – in @tarmovie 👉 http://pocketmags.com/pianist-magazine

It was a joy making my debut with the @NatSymphonyDC at @kennedycenter! Truly vibrant playing in #Dean and #Bartók Concerto for orchestra and poetic, supremely beautiful interpretation of #Ravel's Piano Concerto for the left hand by @TiberghienC.

Photo: Jati Lindsay

3

Hollywood has arrived at Pianist! 2x Oscar Winner Cate Blanchett stars in our Dec/Jan issue, available on 18 Nov. She shares exclusive details about her new role as a powerful but fragile conductor in her latest film, TÁR👇🏽
https://pianistm.ag/bumper129
Photo credit 📸 Steven Chee

Diana Krall: “I’ve not been blessed with a very big range, I can’t play fast, I don’t have great chops, but I have a good feel and good time, and I can get to the story.”

Photo Mary McCartney

In The Court Of The Crimson King is 53 today. You can read about the making of the album here...
https://www.dgmlive.com/news/kc-debut-53rd-anniversary

Load More Twaddle

Twaddle ✅

© 2022